Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative

Format: Paperback

Language: English

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Size: 12.32 MB

Downloadable formats: PDF

Le roman fait alterner le r�cit autour d'un certain point de vue (ou focalisation ) et le discours ( monologue intérieur, dialogues, interventions du narrateur). But of course, the authors we know about – those who come to the public attention – have already become celebrities, selling millions of books and making millions in the process. While we can readily recite a litany of familiar tropes from the pulp era—alien invasions, time travel, science gone awry, space exploration, galactic war, mutants as monsters or victims—by the early 1940s, Astounding was regularly publishing tales that could not be subsumed easily by such formulas, that drew on more complex and subtle explorations of history, economics, psychology, even labor relations. (By the standards of the pulp era, one of the most popular series in Astounding, Isaac Asimov’s "Foundation" stories, was virtually without plotted action at all.) Science fiction, once it emerged from the cocoon of the space operas that dominated the early pulp era, began to explore its potential as a genre based as much in ideology as in story, eventually transforming itself into a dialogue and a dialectic about change that almost inevitably would lead to a blurring of its identity, as its favorite concerns and obsessions grew more congruent with the concerns and obsessions of the society at large, and with the capacity of rational action to address those concerns and obsessions.

Pages: 224

Publisher: Kent State Univ Pr (January 4, 2016)

ISBN: 1606352768

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